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EPONA
[when you insert the key and open the door, you'll find inside the room looks like the living room of a mansion - the space bends on the walls, but there is a single door that leads to another room; though the door is closed, you can see through it—as if it's somewhat transparent. the room is painted baby blue and a gold-plated cradle sits in the room.
inside, a baby cries - high pitched and noisy, though immediately a nurse comes in to rock the child back to sleep.]
-
[slowly, the scene changes, fading in and out with various silent scenes—the baby sits up, trying to climb out of her cradle; a little toddler dressed prettily with expensive clothes beams pleasantly; a tantrum, thrown by the little girl who's distressed; the little girl holding a puppy, pleased as punch; then the wall becomes opaque.]
[in the middle of the open doorway, a young girl the age of 10 sits on a chair, smiling at you. a golden retriever is curled up beside her.]
[this is your little girl. you couldn't help spoiling her, honestly - after all, she's a noble too, and she should like to become a princess as well. she deserves it. but you also know, with how your history's gone, she's going to have to work to get to the top. but you have faith in her - she's your girl, after all.]
inside, a baby cries - high pitched and noisy, though immediately a nurse comes in to rock the child back to sleep.]
-
[slowly, the scene changes, fading in and out with various silent scenes—the baby sits up, trying to climb out of her cradle; a little toddler dressed prettily with expensive clothes beams pleasantly; a tantrum, thrown by the little girl who's distressed; the little girl holding a puppy, pleased as punch; then the wall becomes opaque.]
[in the middle of the open doorway, a young girl the age of 10 sits on a chair, smiling at you. a golden retriever is curled up beside her.]
[this is your little girl. you couldn't help spoiling her, honestly - after all, she's a noble too, and she should like to become a princess as well. she deserves it. but you also know, with how your history's gone, she's going to have to work to get to the top. but you have faith in her - she's your girl, after all.]
Re: [!]
EQUIPS STUPID HELMET AND KILLS THEM ALL!111!11 NOBODY CALLS THE STEEL SAMURAI WITCHCRAFTStar's pretty done with all of this, so she's prepared to leave - and if possible, sneak the doggy out. Before she goes, she's going to try one last thing - making sure her daughter is with her, (and that she's holding her the whole time) she addresses all the townsfolk she can, telling them about how the noble's son has been bullying the other kids and everyone else just looked the other way while her daughter tried to fix things and talk to him and stand up for the kids. She earnestly pleads with the villagefolk to see what's really happening, that everyone is living in fear of the nobles while their son's treatment of people gets worse and who knows what will happen for them. They have the power to change things, she says, if they'll stand up for themselves and take care of themselves and each other like her 10 year-old daughter has been trying to do for all of them. If they aren't prepared to do that, then she and her daughter will leave, but everything is in their hands. They can set things right, or not.
But if they don't she's outies, man.
Re: [!]
Fortunately for you, your long-time servants are loyal and have prepared an escape route for you; for what it's worth, they believe neither of you are witches, and that the young miss is both harmless and the right party. It's unfortunate that people like that are in positions of power, but if we were to have a royalty that cared about its populace more, perhaps this problem would be among others that could be fixed. . . . well.
Anyway, you're free!