EPONA

[soulping]

[ The Traveler steps in front of all of you, her arms raised dramatically! ]

Today, we take the first step of a very, very long journey together! This dream belongs to a young man, a criminal and his gang who on an otherwise normal heist has gotten in way over his head! Normally, this would be a nightmare, full of blood and death and abject horror!

Fortunately, I have taken the liberty of altering this dream so that it is completely safe and above all, fun! It would not do to have your first foray into the world of unreality to be so unwelcoming! The goal of this game is to survive, reach the end, and solve the mystery...

The mystery of the Train Tracker!

Comments

[grandstanding]

[...]

Out of everyone, I'm probably going to appreciate this the least.

[chuggachuggasnoozesnooze]

Unfortunate. I would hope that you find a way to enjoy it.

[grandstanding]

I'll enjoy it if I win.

What do I need to do?

[chuggachuggasnoozesnooze]

You must either survive, reach the end first, or solve the mystery.

CAR 1

[soulping]

[ A young conductor ushers you aboard, his frumpy red hair gleaming beneath his hat.

You're in the dinner car of your team's train, where some very clearly high-class people are mingling...for the most part. There's some people up at the bar that you can tell are LESS THAN SCRUPULOUS. Also, one of them is apparently a cowboy? It's 1931, for godssakes.

The cowboy appears to be telling the young nervous man a story. Something about a TRAIL TRACKER, that appears on trains to murder everyone, at which point the train vanishes...obviously a urban legend, but the nervous man proceeds to FLIP THE FUCK OUT ABOUT IT, and runs off out of the car, insisting that he needs to find the young conductor to warn him that everyone on the train is going to die.

The moment he vanishes, you hear the sound of a pistol firing, and people start to panic. Welp.

OBVIOUS EXITS ARE EAST.

> ]

Re: CAR 1

[grandstanding]

[well, shit. he ducks out of reflex when the shot goes off, but gets over it quickly while the passengers start freaking out.

as he was never one for decorum, Blade jumps up onto a table to better launch himself past all the frightened passengers, and sets off in the direction the nervous guy was heading.]

Re: CAR 1

[soulping]

[ SWEET JUMPS. Braving the crowd of panicked passengers, you manage to make it out of the dining car!

Advance to CAR 2. ]

CAR 2

[soulping]

[ As you leave the dinner car, you see a group of people in black suits, carrying cases for musical instruments, running into it. The nervous man seems to have stopped for a second, watching them as they file in, wondering what the christ they're doing when someone just fired a gun.

OBVIOUS EXITS ARE WEST, EAST, and NORTH.

> ]

Re: CAR 2

[grandstanding]

[good time to yell after him, right?]

You! Stop there!

Re: CAR 2

[soulping]

[ He turns around, shaking. ]

A-aah! What?! You can't be here, everyone in this train is in great danger! I gotta go tell the conductor!

Re: CAR 2

[grandstanding]

I did notice. I'm going with you.

CAR 3

[soulping]

[ As you enter this car, you hear MACHINE GUNS firing back from where you came. There's nothing in here but a few crates, which if you wanted you could probably climb up to the HATCH on the roof.

SUDDENLY, a man in a white suit carrying a pistol walks in. The nervous man cries.

OBVIOUS EXITS ARE EAST AND WEST.

>]

Re: CAR 3

[grandstanding]

[he was distracted looking back to where the gunfire noise was coming from-- but movement in white catches his attention. he makes the grab the nervous guy and push him to the left, whilst going right himself.]

Re: CAR 3

[soulping]

[ The nervous guy falls over into a crate, still crying. The man in white fires, but misses! ]

Re: CAR 3

[grandstanding]

[only one thing to do! the man in white will see Blade run behind the crates... but what runs out the other side is a wolf.

and it's charging right at him.]

CAR 4

[soulping]

[ The NERVOUS MAN runs past you, before bumping into a RATHER LARGE MAN in a white suit, who has just exited his cabin. He seems upset, but the NERVOUS MAN apologizes, babbles something about having to find the conductor, and continues on.

The RATHER LARGE MAN scowls, but the sound of MACHINE GUNS intensifies, and suddenly he's skipping down the hall towards you, singing about how EXCITED he is.

Blade's status is "WOUNDED".

Obvious exits are EAST, WEST, and NORTH. ]

Re: CAR 4

[grandstanding]

[............raises the gun and levels it at him?? what the actual fuck.]

Re: CAR 4

[soulping]

...Huh? What's up with you?

You from that fight I hear over there?

Re: CAR 4

[grandstanding]

No.

[hm]

But one of your friends back there tripped over a crate in the last car, and knocked himself out. You know, someone in a white suit like yours? I thought I should find some help.

CAR 5

[soulping]

[ Wow, you're almost home free! You see some blacksuits talking to eachother...but then one turns his back, and the other is pulled out the WINDOW. The other turns, and starts freaking out, calling for back-up on his WALKIE-TALKIE...and then is also pulled out.

SOME MYSTERIOUS THINGS HAPPENING ON THIS TRAIN?

Blade's status is "WOUNDED".

Obvious exits are WEST, EAST, NORTH, and WINDOW.

> ]

Re: CAR 5

[grandstanding]

[still as a wolf, slinking down the side opposite where the window-snatchings are happening.]

Re: CAR 5

[soulping]

[ Advance to CAR 6. ]

CAR 6

[soulping]

[ Slinking successful!

You have reached the FRONT OF THE TRAIN. Here you spot A DEAD, HORRIBLY MUTILATED RED-HAIRED PERSON. There is a PRISTINE CONDUCTOR'S HAT on the ground.

The NERVOUS MAN is staring in ABJECT TERROR. ]

H-he's dead! I'm too late, the Train Tracer's already here!

[ HOTTUB BLEMISH CRIES. ]

Re: CAR 6

[grandstanding]

Shit.

[looks around the cabin quickly.]

What do we need to do to stop the train?

Re: CAR 6

[soulping]

I-I don't know how to drive a train! Hit the breaks, I guess?!