EPONA + AMALTHEA
[You land in a boat in the midst of the sea. The boat itself is simple enough, with only two embellisments; a masthead in the shape of a pair of horse and goat’s heads, and a clunky-looking cannon sitting right in the middle. Fog surrounds you; you can barely see past the edge of the boat.
There are also a collection of rather sparkly Epona and Amalthea-coloured cannon balls at your feet.]
There are also a collection of rather sparkly Epona and Amalthea-coloured cannon balls at your feet.]

no subject
[ There's a 1/9 chance they won't be hit regardless, but with Epona's luck on her shoulders... ]
no subject
I would say our first should go to square 6. That way they will know we came from a spot adjacent to 1. Then, we should opt not to move. That way they will target a square adjacent to this one, and definitely give us a free round to fire.
no subject
I don't think half the teams out there are smart enough to figure out this sort of play, but...
[ She's just a bit apprehensive about sitting still for a round. ]
What if they manage to luck out and hit us?
no subject
We will be at a disadvantage, but that is only an 11.11% chance of occurring.
no subject
[ Is it even accurate? She's figuring out the math slowly in her mind due to her own education level. ]
no subject
Schooler, was it not? Takshaka prides themselves on being a team of foolish heroes. Let us crush them swiftly and efficiently.
no subject
Yes, let's do that.
no subject
Another cannon booms somewhere south of you... something splashes into the water on the right.]
no subject
no subject
They did not hit us. Moreover, the shot came from the south. 5 and 9 would be southeast... thus we are looking at 4, 7, and possibly 8. Of them, the squares to be moved to are 'all of them, aside 3.'
However, if we look at the distribution between the possible moves, and assume Takshaka did move after their first shot, the squares with the highest odds of having them will be either 5 or 7. Additionally, I believe we should move south, to 4.
Is that also what it told you?
no subject
I think we should aim to shoot at 7. There's no way they would have moved to 5 knowing that it's such a valuable position.
no subject
no subject
no subject
the enemy shot splashes into the water behind you.]
no subject
They will know where we were, but our escape capabilities will be such that they have a 1 in 8 chance of finding us. Our odds of hitting them will be far higher than theirs of us.
no subject
Let's do it.
The sooner we end this, the better.
no subject
[stumbling in...]
no subject
We should fire at square five. If my guess is correct, they moved to five themselves--thus we should target square... 6 or 8. This way we have covered if their opening action was 8 to 9, as well.
no subject
no subject
We've got it covered, so just sit down and pretend you're not here.
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Gee, I'm happy to see you too, Schooler.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)